The Residents
The Residents Present "Instrumental Excerpts" From Their Epic Recording "God In Three Persons"

Yeah the artwork could be better. The Son Kite rmx is great.

Wonderful ambient and dub from Moscow. Fuck Putin, we need Finetune for president.Message: The idea that every person is a carrier of his own soul is widely spread in the culture. At the same time, we conceive life as an element, interconnecting mankind and linking people to God. The soul is a binding substance and at the same time the source of all kinds of creation/art. Connecting the idea of "soul" with a creative impulse, that encourages a human to listen to himself and his soul, we thus call for God and the Absolute, in which seek access to integrated information space. People are vessels energy of all existence flows through, to be embodied in art, purifies a human, and inspires his inner spiritual experience.Performance: The artist created an object from 350 vinyl record sleeves, which form the album coverIdea: Each of 350 record sleeves embodies a single element of the soul, distinct from the others yet a part of the integral whole.

B side is a nice weed-vibe-ish downtempo soul track...

Welcome Back! Now, that hopefully goes for the public & parties, life & love and most definitely for Klasse Wrecks’s mastermind Luca Lozano and Running Back. Bigger and better, rougher and tougher, „Boss Moves 2“ boldly starts, where the first part left us: somewhere in London’s record store Bermuda triangle between Black Market, Fat Cat and Release The Groove circa 1995. You will hear traces of Italian imports and IDM, European techno, British breakbeat and bass music culture, the DNA of what would turn into tech-house. With Luca Lozano as the conduit, „Boss Moves 2“ seems like a kaleidoscope of influences and a flash of inspirations.Seemingly all of a piece, it never appears like a scheme, but rather as a spirited, soulful and special double pack for dancers, DJs and devotees. Made in Sheffield and done with determination!

Tout Bleu's second record, Otium, recalls a route where the electronic crosses paths with the acoustic.This new milestone in Genevan multi-instrumentalist Simone Aubert's (Massicot, Hyperculte) musical field represents a kind of fruitful deceleration. Initially conceived as a solo project in 2018, the act is now an exploration ground for the musicians gathered on Otium : Naomi Mabanda on the cello (Orchestre Tout Puissant Marcel Duchamp, Chien Mon Ami) and Luciano Turella on the alto (Irtum Branda) encounter the sampling machines of POL, that could already be found on the first eponymous album Tout Bleu. In Tout Bleu's music, the part-melodic, part-abrasive riffs reminiscent of Massicot are present, and so are the socially engaged, energetic singing of Hyperculte. However, the band, by using acoustic instruments, vocals and electric guitar in an unconventional way, draws an orchestral landscape that sometimes flirts with pop, and where strings merge in polyrythm on low tempo beats.

Floaty and light techno experiments